Film Screening: Score (2016)

Event Date: 

Tuesday, January 30, 2018 - 7:00pm to 9:30pm

Event Date Details: 

Event Location: 

  • Pollock Theater (UCSB)

Event Price: 

This event is free but a reservation is recommended in order to guarantee a seat. Please visit www.carseywolf.ucsb.edu/pollock/events/score to make a reservation. Tickets will be released on Tuesday, January 9 at 11 a.m.

Event Contact: 

Adriane Hill
Marketing and Communications Manager
UC Santa Barbara Department of Music
(805) 893-3230
Score
The Carsey-Wolf Center and the Center for the Interdisciplinary Study of Music (CISM) will present a screening of the 2016 film, Score, on Tuesday, January 30, 2018 from 7-9:30 p.m. in UCSB's Pollock Theater. Score: A Film Music Documentary follows the creative struggles of designing a modern film soundtrack from scratch. Featuring some of Hollywood's premier composers, the film explores the power and influence of film scores in the modern world and gives viewers a privileged look inside the musical challenges of the process of composing a score. Producer Robert Kraft will join moderator David Novak (Music, UCSB) for a post-screening discussion. This event is free but a reservation is recommended in order to guarantee a seat. Please visit www.carseywolf.ucsb.edu/pollock/events/score to make a reservation. Tickets will be released on Tuesday, January 9 at 11 a.m.
 
Robert Kraft, Producer
 
Robert Kraft is the former President of Fox Music, which produced Avatar, Titanic, Moulin Rouge and many more under his direction. An Oscar, Golden Globe and Grammy-nominated composer, Kraft co-produced all of the Oscar- and Grammy Award-winning songs in The Little Mermaid, including the Academy Award-winning song “Under The Sea.” Kraft is a member of the Music Branch of the Academy of Motion Picture Arts and Sciences.
 
David Novak, Moderator
 
David Novak is Associate Professor of Music at the University of California, Santa Barbara, with affiliations in Anthropology, Film and Media Studies, and East Asian Languages and Cultural Studies. He is the author of the award-winning Japanoise: Music at the Edge of Circulation (2013) and the co-editor of Keywords in Sound (2015), as well as recent essays and sound recordings in Public Culture, Cultural Anthropology, Popular Music, Sensory Studies, and The Wire.
 
Sponsored by the Carsey-Wolf Center and the Center for the Interdisciplinary Study of Music (CISM).

 

Score