- Karl Geiringer Hall (UCSB)
$10 general admission, $5 non-UCSB students with ID, FREE for UCSB students with ID, FREE for children under 12.
The Ciompi Quartet was founded at Duke University in 1965 by the renowned Italian violinist Giorgio Ciompi. All its members are professors at Duke and play a leading role in its cultural life, in addition to traveling widely throughout the year for performances. In a career that includes many hundreds of concerts and spans five continents, the Ciompi Quartet has developed a reputation for performances of real intelligence and musical sophistication, and for a warm, unified sound that is enhanced by each player’s strong individual voice. With a maturity and insight born of wide experience, the Ciompi Quartet projects the heart and soul of the music, in a repertoire that ranges from well-known masterpieces to works by today’s most communicative composers.
Recent concerts have ranged across the country from Washington State to California, Texas, New York and New England, and abroad from China to France, Italy, Germany, Prague, Serbia and Albania. In the summer the Quartet has performed at Monadnock Music in New Hampshire, at the Great Lakes Chamber Music Festival in Michigan, North Carolina’s Eastern Music Festival and Highlands Chamber Music Festival. Collaborations have included the distinguished talents of pianists Bella Davidovich, Menahem Pressler and James Tocco, the Borromeo Quartet, saxophonist Branford Marsalis, soprano Tony Arnold, and jazz vocalist Nnenna Freelon, among many others. The Quartet’s commitment to creative programming often mixes the old and the brand new in exciting ways. It’s extensive record of commissions includes many strong works that it continues to play on tour. Close ties to composers such as Paul Schoenfield, Stephen Jaffe, Scott Lindroth, and Melinda Wagner have produced important contributions to the repertoire; the quartet recently premiered Stephen Jaffe’s Third String Quartet and Lindroth’s Cello Quintet, written for the Ciompi and cellist Ashley Bathgate. The group’s latest recordings are on Toccata Classics (a string quartet by 19th century violin virtuoso Heinrich Ernst), and Naxos, which released “Journey to the West” by Chiayu Hsu in 2015; also on Naxos online is a recording of the quartets of Paul Schoenfield including the popular “Tales from Chelm.” Numerous other discs are on the CRI, Arabesque, Albany, Gasparo, and Sheffield Lab labels, with music from Haydn, Mozart, and Beethoven, up through the present.
Flutist Jill Felber has been hailed for her "beautifully finished performances" by The Detroit News and has been praised by Musical America for her "handsome performance." The British journal PAN writes, "Felber was stunning..not only refined but also full of fun."
"The incredible flutist...the dazzling flutist...the radiant flutist Jill Felber" (Santa Barbara Independent), who is known to excite audiences everywhere in concerts and recitals, "played with flair." (Los Angeles Times).
"The outstanding American flutist Jill Felber" (Gazeta Rybnicka, Poland) is acclaimed worldwide for her "consummate musicianship" (Fanfare).
Ms. Felber has performed solo recitals, chamber music, and concertos on four continents and has held residencies in Hong Kong, Taiwan, Australia, Mexico, France, Switzerland, Great Britain, Italy, Canada and the United States. Also a tireless promoter of new music, Ms. Felber has inspired many composers to write solo and chamber works for her and for her flute duo ZAWA!, and is currently engaged in several commissioning projects. She has premiered over three hundred works for the flute and has released world premiere recordings for Centaur Records, CRI, Neuma Records, and ZAWA! MUSIC.
In demand as a guest clinician because of her extraordinary motivational teaching style, Ms. Felber is currently Professor of Flute at UC Santa Barbara and Chair of the Department of Music. Holding degrees from University of Michigan and Bowling Green State University, Ms. Felber has taught on the faculties of Ohio University, Capital University, and Wright State University. Her teachers include Keith Bryan, Judith Bentley, Samuel Baron, and James Galway.
Professor Emeritus Joel Feigin (b: New York City,1951) is a composer whose music has been heard across the U.S. and abroad, from France and Germany to Taiwan and Korea. His works have been widely praised for their "very strong impact, as logical in musical design as they are charged with emotion and drama." (Opera Magazine)
Feigin's many honors include a Senior Fulbright Fellowship at the Moscow State Conservatory in Russia (1998-1999) and a Guggenheim Fellowship to write his first opera, Mysteries of Eleusis, commissioned for Theatre Cornell and produced there in 1986. The complete opera was presented again in 1999 at the Moscow Conservatory, which requested a chamber version that it produced in 2000 as part of the Russian-American Festival of Operatic Art. Feigin's new opera, Twelfth Night, based on the play by William Shakespeare, was chosen by New York City Opera for its VOX 2003 series of readings: Showcasing American Composers. A chamber orchestra version of Twelfth Night, commissioned by Long Leaf Opera in North Carolina, was premiered by them in October 2005.
Feigin's chamber and orchestral music has been performed and commissioned by such groups as Parnassus, Currents Ensemble, Voices of Change, the Santa Barbara Youth Symphony, and by pianist Leonard Stein for Piano-Spheres. Speculum Musicae and the Auros Group for New Music have both presented Veranderungen for violin and piano as the winner of their 1998 composition competitions. Among other highlights of Feigin's career, a 2-CD set on North/South Recordings followed a full evening of his chamber and vocal works performed by Musicians Accord at Merkin Concert Hall in New York City. Concerts devoted solely to Feigin's music have also been given in Armenia and Russia.
Two of Feigin's orchestral works have been premiered in Russia: Festive Overture by the Nijnij Novgorod Symphony Orchestra under Vladimir Ziva, and Mosaic in Two Panels for String Orchestra by the Chamber Orchestra Kremlin under Mikhail Rachlevsky. In America, the Santa Barbara Symphony has performed Elegy for Orchestra, in Memoriam Otto Luening, under Gise`le Ben-Dor, and the American premiere of Festive Overture, under Edwin Outwater.
Joel Feigin studied composition with Nadia Boulanger at Fontainebleau and with Roger Sessions at The Juilliard School, where he received his DMA degree. The recipient of a post-graduate Mellon Fellowship at Cornell University, he also holds an undergraduate degree from Columbia University. Early in his career, as an Aaron Copland-ASCAP fellow at the Tanglewood Music Center, Feigin received the Dimitri Mitropoulos Prize in Composition. Over the years he has been granted residencies at the MacDowell Colony, Yaddo, and the Millay Colony.
An accomplished pianist and accompanist, Feigin was also a student of Rosina Lhevine, worked with Nico Castel at the Metropolitan Opera and Antonia Lavanne at the Mannes College of Music, and is often called upon to participate in performances of his own works. Among them have been Veranderungen with Juilliard Quartet violinist Ronald Copes in Santa Barbara, CA and Echoes From the Holocaust with members of the Czech Philharmonic in Prague.
A student of Zen Buddhism, Feigin is Professor of composition at the University of California, Santa Barbara. Learn more about Joel Feigin.