PhD 2006 (with Distinction) Columbia University, Ethnomusicology
MA 1999 Wesleyan University, Ethnomusicology
BA 1992 Oberlin College, East Asian Studies
My work examines media circulation as an interactive process of social and epistemological transformation, which I explore through multi-sited ethnographic research. My interests include globalization of popular music, remediation, sonic intersubjectivity, social practices of listening, and the creative politics of contemporary urban Asia. My current book project, entitled Transcultural Feedback: Global Relationalities of Popular Music, theorizes musical globalization through the historical and and cultural perspectives generated in cosmopolitan circulations of music technology, particularly the recent emergence of inter-Asian experimental networks and D.I.Y. assemblages of local "maker spaces" in Southeast and East Asian cities.
Affiliate, East Asian Languages and Cultural Studies
Affiliate, Film and Media Studies
Related links to David Novak's research:
2015 Keywords in Sound. Co-edited with Matthew Sakakeeny. Durham, NC: Duke University Press.
2013 Japanoise: Music at the Edge of Circulation. Durham, NC: Duke University Press. Winner of the British Forum for Ethnomusicology Book Prize. Download
Selected Articles, Chapters and Online Publications
2017 "Project Fukushima! Performativity and the Politics of Festival in Post-3.11 Japan." Anthropological Quarterly 89(4):227-255.
2014 “A Beautiful Noise Emerging from the Apparatus of an Obstacle: Trains and the Sound of the Japanese City.” In The Acoustic City, Matthew Gandy and Benny Nilsen, eds. Berlin: Jovis.
2013 “Osaka Inside Out." Field recording mix and notes. Sensory Studies, October 2013.
2013 “The Sounds of Japan’s Antinuclear Movement.” Podcast and multimedia publication. post: Notes on Modern and Contemporary Art around the Globe. The Museum of Modern Art (MoMA). David Plath Media Award (Honorable Mention), Society for East Asian Anthropology, American Anthropological Association.
2011 “The Sublime Frequencies of New Old Media.” Public Culture 23(3): 601-634. See also online media supplement. Jaap Kunst Prize (Honorable Mention), Society for Ethnomusicology.
2010 “Listening to Kamagasaki.” Anthropology News 51(9): 5.
2010 “Onkyô/Oto, Chinmoku/Ma, to Impuro no Sendaitekina Kachi” [“Sound(s), Silence(s), and the Global Value of Improvisation”]. In Nyû Jazu Sutadizu [The New Jazz Studies], ed. T. Miyawaki, S. Hosokawa and M.S. Molasky, pp. 375-395. Tokyo: Artes.
2010 “Cosmopolitanism, Remediation and the Ghost World of Bollywood.” Cultural Anthropology 25(1): 40-72. Also see online media supplement.
2008 “2.5 by 6 Metres of Space: Japanese Music Coffeehouses and Experimental Practices of Listening.” Popular Music 27(1): 15-34. Winner of Richard Waterman Prize, Popular Music Section of the Society for Ethnomusicology.
Anthropology of Music
Music as Media
Globalization and Popular Music
Music and Documentary Film
Making Independent Music in America
History and Practice of the Recording Studio
Music in Modern Japan
Global Screens, Global Sounds
Music Cultures of Java and Bali
Dissertation Writing Workshop